构图理念视角下的高句丽和渤海瓦当研究  

Study of Roof-tile Ends of the Goguryeo and Bohai Cultures from the Perspective of Rules of Composition

作　　者：宋玉彬 Song Yubin

机构地区：[1]吉林大学考古学院,长春市130012

出　　处：《考古》2020年第6期97-107,共11页Archaeology

基　　金：国家社科基金重大项目“东北亚视野下的渤海遗存研究”(课题编号16ZDA149)的阶段性研究成果。

摘　　要：作为瓦作建筑构件,瓦当集实用性、装饰性于一身的形制特点,使其成为考古学视角下认知古代遗存性质、解析古代文化内涵的重要学术切入点。然而,如何辨识不同纹样瓦当的共时性特征、历时性差异,进而透过其表象进行文化层面的学术解读,始终是制约同一遗存地点或者不同遗存间瓦当研究的瓶颈问题。本文开展构图理念视角下的高句丽和渤海瓦当研究,旨在拓展命题对象的视域空间、丰富具体问题的解题思路,藉此推进高句丽、渤海文化研究的学术进步。The identifi cation of common patterns and individual differences among roof tile ends and drawing cultural interpretations through diachronic changes is a key issue in the study of roof tiles both from different areas within a single site and from different sites.By identifying quadripartite designs and fl oral petal designs from the perspective of rules of composition in the visual arts,and the application of these principles to the study of roof tile ends of the Goguryeo and Bohai cultures,one can establish a diachronic sequence of roof tile ends.Furthermore,this analysis highlights infl uence from the Central Plains.In addition,it becomes possible to envision the materialization of characteristics of the Goguryeo and Bohai cultures at a macro-temporal scale.

关 键 词：瓦当 四分法构图 裂瓣纹构图 高句丽 渤海 

分 类 号：K876.3[历史地理—考古学及博物馆学]