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作 者:姚恒璐[1] Yao Henglu
机构地区:[1]中央音乐学院
出 处:《乐府新声(沈阳音乐学院学报)》2020年第2期31-41,共11页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
摘 要:我们曾经注意到:许多古代、中世纪的音乐作品,尽管音乐的内容单一、表现手法质朴原始,却往往与某些现代作品在表情、风格、技法方面存在着渊源关联和表现形态的相似之处,这其中除了美学思想、音响材料所形成的继承关系以外,音乐结构的逻辑——体现曲式结构功能手法的继承关系,也是一条重要的纽带,它连接了传统与现代、不同音乐风格的作品之间共性的存在可能,更为个性化的发展提供了广阔的空间。逻辑方法是"根据事实材料,遵循逻辑规律、规则来形成概念、作出判断和进行推理的方法。主要有形式逻辑的方法(比较、分析、综合、抽象、概括、演绎、归纳)和辩证逻辑的方法(如分析与综合相结合的方法、逻辑与历史相结合的方法)[2]"。We have noticed that many ancient and medieval music works,although the content of the music is single and the expression methods are simple and primitive,are often similar to some modern works in terms of expression,style,and technique.Among them,in addition to the inheritance relationship formed by aesthetic ideas and audio materials,the logic of music structure the inheritance relationship reflecting the functional structure of the musical structure,is also an important link,which connects traditional and modern works with different musical style The possibility of commonality provides a broad space for more personalized development.The logical method is"a method of forming concepts,making judgments,and reasoning based on factual materials and following logical laws and rules.There are mainly methods of formal logic(comparison,analysis,synthesis,abstraction,generalization,deduction,induction)and dialectical logic Methods(such as methods combining analysis and synthesis,methods combining logic and history)".
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