伪满时期哈尔滨的都市表象——以竹内正一小说《吉尔曼公寓素描》和《马家沟》为中心  

Urban Representation of Harbin in Manchukuo Period——Focusing on Novels of Giruman Apato Tenbyou and Majagou by Takeuchi Masakazi

作　　者：吴佩军[1] Wu Peijun

机构地区：[1]华南师范大学外文学院,广东广州510631

出　　处：《东北亚外语研究》2020年第2期11-17,共7页Foreign Language Research in Northeast Asia

基　　金：国家社科基金重大项目“近代以来中日文学关系研究与文献整理(1870-2000)”(17ZDA277);吉林省教育厅“十三五”社会科学研究项目“伪满文坛民众的文学抗争研究”(JJKH20170950SK);住友财团“日本促进亚洲各国关联研究资助”项目“‘满洲国’时期哈尔滨的日本人文学活动研究”(158052)的阶段性成果。

摘　　要：1932年伪满洲国成立后,哈尔滨在日本殖民者的统治下,由开放的国际都市渐变为“北进的据点”和“对苏防卫基地”。政治主导权的更迭一方面带来了经济主导权结构的变化,导致了城市规模、功能和景观的改变,另一方面则加剧了业已存在的都市空间及社会架构的分裂。日籍作家竹内正一在《吉尔曼公寓素描》和《马家沟》等小说中,描写了这种都市表象的变化,披露了民族和阶级之间的差别以及被统治民族凄惨的生存状况,在一定程度上揭露了“王道乐土”“五族协和”等政治口号的虚伪性。Since the establishment of Manchukuo in 1932,under the colonization of the Japanese colonists,Harbin has gradually turned from an open cosmopolis to a so-called“Northbound Stronghold”and a“Defense Base against the Soviet Union”.The alternation of political dominance caused the change of economy dominance structure which lead to the change of size,function and landscape of the city on one hand,and intensified the split between the existed urban space and social structure on the other hand.Japanese writer Takeuchi Masakazi described the change of the urban representation in novels of Giruman Apato Tenbyou and Majagou,unfolded the disparity of nationalities and classes and the miserable status quo of the ruled people,and revealed the falsity of political slogans of“King of Paradise”and“Five Nationalities”to some extent.

关 键 词：哈尔滨 都市表象 殖民主义 伪满州国 竹内正一 

分 类 号：I106[文学—世界文学]