兵团影像志的功能及其创作探究  

A Study on the Function and Creation of Image Records of Xinjiang Production and Construction Corps (XPCC)

作　　者：段保国[1] 王姣妍 李钦曾[2] DUAN Bao-guo;WANG Jiao-yan;LI Qin-zeng(College of Literature and Arts,Shihezi University,Shihezi 832003,Xinjiang,China)

机构地区：[1]石河子大学文学艺术学院美术与设计系,新疆石河子832003 [2]石河子大学文学艺术学院,新疆石河子832003

出　　处：《石河子大学学报（哲学社会科学版）》2020年第3期80-83,共4页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：教育部人文社科项目“新疆生产建设兵团摄影史及其研究”(19XJJA760001)。

摘　　要：兵团影像志是兵团形象建构、文化传播的重要载体,是视觉化地表达兵团历史与现实的一种工具。兵团影像志对于构建新疆屯垦历史的集体记忆,强化国家在场的政治意识,及多元一体的文化认同意识,建构兵团人的视觉形象具有非常重要的价值和意义。在兵团影像志的创作中,应确立正确的思想指导,体现历史感、时代性,具有丰富的媒介形态;坚持客观性、真实性等基本原则,处理好宏大叙事与微观叙事的关系,避免简单化、类型化、概念化、程式化地表达兵团的历史文化。Image records of XPCC is an important carrier of image construction and cultural communication and is a visual tool to express the local records,history and reality of the Corps.It is of great value and significance to construct the collective memory of Xinjiang reclamation history,strengthen the political consciousness of state presence,strengthen the cultural identity consciousness of pluralism and integration,and construct the visual image of XPCC people.In the creation of image records of XPCC,we should establish correct ideological guidance,show sense of history and time,employ a richer media form,adhere to the basic principles of objectivity and authenticity,properly deal with the relationship between grand narrative and micro narrative,and avoid simple,stereotyped,conceptualized and stylized expression of XPCC history and culture.

关 键 词：兵团影像志 方志 功能 创作 传播 

分 类 号：J405[艺术—摄影艺术]