二胡在民族器乐合奏中的表现力研究  

A Study on the Expressive Force of Erhu in National Instrumental Ensemble

作　　者：张劲[1,2] 杨传中[1] Zhang Jin;Yang Chuanzhong(School of Music,Huainan Normal University,Huainan 232001,China;Anhui Normal University,Wuhu 241000,China)

机构地区：[1]淮南师范学院音乐学院,安徽淮南232001 [2]安徽师范大学,安徽芜湖241000

出　　处：《黑河学院学报》2020年第6期162-163,169,共3页Journal of Heihe University

基　　金：淮南师范学院校级教研重点课题“高师院校《中国民族器乐合奏》课程教学模式改革与创新研究”(2019hsjy17)。

摘　　要：我国民族器乐创作有着各种各样不同类型的风格,每种类型的风格都有着自己独特的韵味。我国民族器乐种类繁多,这些不同种类的乐器可以有不同的演奏风格。二胡在民族器乐合奏中有着极其强烈的表现力,二胡在民族器乐合奏中的作用突出,其合奏教学策略多变,可根据不同情况构建二胡在民族器乐合奏中的方法,增强学生的能力。The creation of national instrumental music has a variety of styles,with each style having its own unique charm.There are many types of national instrumental music with different playing styles in our country;among them,erhu has an extremely strong expressive force in the national instrumental ensemble.This article analyzes in detail the role of erhu in the national instrumental ensemble,discusses its various strategies in the ensemble teaching,and explores measures of playing erhu in national instrumental music under different situations,so as to enhance students’playing capabilities.

关 键 词：二胡 民族器乐合奏 表现力 合奏教学 

分 类 号：J632.21[艺术—音乐]