论黄景仁诗中的“唐音”与乾嘉诗风  

The"Tang Style"in Huang Jingren's Poems and Relationship with Poetic Style in the Dynasties of Emperors Qianlong and Jiaqing

作　　者：凌丽 LING Li(Chinese Classic Research Institute,Fudan University,Shanghai 200433)

机构地区：[1]复旦大学中国古代文学研究中心,上海200433

出　　处：《乐山师范学院学报》2020年第6期15-23,共9页Journal of Leshan Normal University

摘　　要：清代黄景仁的诗歌天才超轶,不仅在理论上重视“唐音”,兼及“宋调”,而且在创作中更是大力汲引“唐音”入诗,并通过吸收提炼,形成具有自己特色的“诗人之诗”。其诗歌创作中的“唐音”与“宋调”,与清代乾嘉时所存在的三种诗风的影响密不可分。Huang Jingren is a genius in poetic creation in the Qing dynasty.He attached great importance to"Tang Style"and"Song Style"in poetic theory.In his creation,he was vigorously drawing"Tang Style"into poems and further to absorption and refinement,eventually setting up style of"The Poet's Poems".However,the"Tang Style"in his poetry creation was closely related to the influence of the three poetic styles in poetry circle in the dynasties of Emperors Qianlong and Jiaqing.

关 键 词：黄景仁 唐音 诗人之诗 诗风 

分 类 号：I206.2[文学—中国文学]