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作 者:林广思[1,2,3] 雷可心 LIN Guangsi;LEI Kexin
机构地区:[1]华南理工大学建筑学院风景园林系 [2]亚热带建筑科学国家重点实验室 [3]广州市景观建筑重点实验室
出 处:《建筑师》2020年第2期106-114,共9页The Architect
基 金:国家自然科学基金青年科学基金项目“我国20世纪60-80年代现代主义园林理论与实践研究”(项目编号51108241)。
摘 要:作为古典主义和现代主义的纽带,要素与构图理论对近代建筑教育思想及建筑理论的发展起到了创造性的推动作用;其中的设计语言不限于建筑构成,还衍生至庭园的营造,例如夏昌世和莫伯治的庭园理论。从夏昌世的教育背景入手,探讨其庭园理论为何会以要素与构图的视角来进行研究。由此,将夏昌世和莫伯治的庭园理论置于要素与构图的理论视角中,重新解读《岭南庭园》和《中国古代造园与组景》两份经典文献,试图对庭园研究视角与方法进行剖析,并通过山庄旅舍的案例,演绎庭园理论,讨论庭园理论中超越原理论二维视角的"三维"庭园空间研究方法。As the link between classicism and modernism, the element and composition theory has played an creative role in promoting the development of modern architectural education thought and architectural theory. The design language is not limited to the architectural composition, but also has the connotation of garden design, such as XIA Changshi and MO Bozhi’s Garden Theory. The theory of gardens by Chang Shi and Mobo. This paper explores the origin and connotation of the element and composition theory. Starting from the educational background of the research leader XIA Changshi, then explore why the garden theory is studied from the perspective of elements and composition. Therefore, the garden theory of XIA Changshi and MO Bozhi is put into the theoretical perspective of elements and composition, and the two classic documents of "Lingnan Garden" and "Ancient Chinese Gardening and Gardening" are re-interpreted, to study the perspective and method. Analyze the garden theory through the case of Mountain Villa Hotel. Discuss the "three-dimensional" garden space research method in the garden theory beyond the two-dimensional perspective in the original theory.
分 类 号:TU986.58[建筑科学—城市规划与设计]
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