《金瓶梅》时空叙事的创新及其小说史意义  

Innovation in Temporal and Spatial Narration of The Plum in the Golden Vase and Its Significance to the History of Fiction

作　　者：王进驹[1] 杜治伟 Wang Jinju;Du Zhiwei(the School of Literature,Ji’nan University;Departm ent of Chinese Language and Literature,Ji’nan University,Guangzhou 510632,Guangdong Province,China)

机构地区：[1]暨南大学文学院 [2]暨南大学中文系,广东省广州市510632

出　　处：《文艺理论研究》2020年第3期107-116,共10页Theoretical Studies in Literature and Art

摘　　要：《金瓶梅》由《水浒传》"武松杀嫂"一段衍展而来,但在时空叙事上却突破了原书的规限。它在时代背景上有意混淆宋明两朝,成为通俗长篇小说鲜明深刻地反映时代特征的先例。其疏密有致的纪时叙事、接踵不断的节庆书写,也都通过前后的对比呈现出盛衰之变、冷热之感。它把主要叙事地域由阳谷转换到清河,产生具体指实却又无法确究的艺术效果,进而以家庭为中心展开社会描写,将庭院布局与故事发展、人物塑造相结合,营造了联系紧密的多层空间场域。总体而言,《金瓶梅》为通俗长篇小说树立了新的范式,开创了世情章回小说这一新类型,对后来的小说创作影响深远。Although The Plum in the Golden Vase is a derivation of the episode"Wu Song kills his sister-in-law"in The Water Margin,its temporal and spatial narration breaks through the restrictions of the original text.In terms of historical background,The Plum in the Golden Vase intentionally blends the Song and the Ming dynasty,which sets a precedent for profound reflection of the times in popular novels.The coherent chronological narrative and the continuous festival writing in this work also demonstrates the ups and downs as well as the prosperity and decline through the comparison of before and after.The main location in the narrative shifts from Yanggu to Qinghe,which ambivalently forms a realistic but illusory artistic effect.Then the novel describes society by focusing on family issues,and combines the courtyard layout with the story development and characterization,which constructs an interlocked and multilayered space.On the whole,it sets up a new paradigm for the popular novels by creating the chaptered novel of worldly affairs,which had a far-reaching impact on subsequent fictional writing.

关 键 词：《金瓶梅》 时空叙事 “借古写今” 多层场域 写实与虚构 

分 类 号：I207.419[文学—中国文学]