电影《阿拉丁》的家庭伦理建构研究  

A Study on the Family Ethics Configuration of Aladdin

作　　者：阮世勤[1] RUAN Shiqin(Guangzhou Civil Aviation College,Guangzhou Guangdong 510403,China)

机构地区：[1]广州民航职业技术学院,广东广州510403

出　　处：《顺德职业技术学院学报》2020年第2期72-75,90,共5页Journal of Shunde Polytechnic

基　　金：广州民航职业技术学院2019年校级项目(19X0420)。

摘　　要：2019年上映的真人版《阿拉丁》摒弃了1992年动画版的父权家庭伦理建构。通过对男性主体欲望的膨胀、男性对父权主体身份的放弃以及女性个体主体的建构等叙事,电影将原先以男性主体为权力核心的父权家庭伦理动态地发展建构成以个体主体相互尊重认同的主体间性为基础的现代家庭伦理。Human version Aladdin(2019)gives up the patriarchal family ethics configuration of the original Disney animated film Aladdin(1992).Through the narrative on the expansion of the male subjective desire,the male's abandonment of the patriarchal subjective identity and the establishment of female individual as the subject,the movie dynamically develops the patriarchal family ethics configuration which regards the male subject as the center of power into a modern family ethics configuration of inter-subjectivity based on the mutual respect and identification among individual subjects.

关 键 词：父权 家庭伦理 主体 男性 女性 

分 类 号：J905[艺术—电影电视艺术]