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作 者:刘进才[1] Liu Jincai(College of Chinese Language and Literature, Henan University, Kaifeng 475001)
出 处:《华中师范大学学报(人文社会科学版)》2020年第4期111-122,共12页Journal of Central China Normal University:Humanities and Social Sciences
基 金:河南省高校哲学社会科学基础研究重大项目“中国现当代文学中的方言问题研究”(2017-JCZD-004)。
摘 要:自1980年代以来,中国当代作家日渐摆脱政治意识形态话语对文学的规训与干预,回归到语言自身的审美,让文学语言从集体性的狂欢返回到个人体验式的独吟,把语言提升到文学的本体论层面。李锐重新发现了口语的地位,让农民的口语与知识精英的书面语获得同等的书写地位,以杜绝语言的自我殖民化现象。韩少功对语言的文化意味有近乎迷狂的追求,在方言语汇的考古中发掘出被宏大叙事遮蔽的悠远的历史文化记忆。阎连科则不断对语言进行自我突破与创新,小说中原汁原味的方言土语彰显着原初的生命状态,复活了民间的记忆。他们的小说创作在各自不同的乡土空间叙述中,通过地域方言与日常口语的权利提升,开拓出各具特色的语言自主性道路。Since the 1980s,Chinese contemporary writers have gradually got rid of the discipline and interference of political ideological discourse on literature and returned to the aesthetic appreciation of language itself,making literary language return from collective carnival to individual experience,and elevating language to the ontological level of literature.Li Rui rediscovered the status of the spoken language,making the spoken language of peasants and the written language of the intellectual elite obtain the same written status,so as to eliminate the phenomenon of self-colonization of language.Han Shaogong was almost obsessed in his pursuit of the cultural meaning of language and he excavated the distant historical and cultural memory covered by grand narrative in the archaeology of dialect vocabulary.Yan Lianke constantly made self-breakthroughs and innovations in language.The authentic dialect in his novel revealed the authentic life state and revivified the memory of the people.They have developed their own distinctive ways of language autonomy by improving the rights of regional dialect and daily spoken language in their local space narration.
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