主题、类型与前文本:评影片《绿皮书》  

Theme, Genre, Pretext: A Review of the Film Green Book

作　　者：苗瑞 Miao Rui(College of Literature and Language,Dali University,Dali,Yunnan 671003,China)

机构地区：[1]大理大学文学院,云南大理671003

出　　处：《大理大学学报》2020年第7期88-91,共4页Journal of Dali University

基　　金：云南省教育厅科学研究基金资助项目(2017ZZX029)。

摘　　要：第91届奥斯卡金像奖最佳影片《绿皮书》在世界多个各类电影节上获得很高的赞誉,同时取得了可观的全球票房成绩,但也引来一些非议。影片表达了黑人的身份追问,而担当拯救者角色的是少数族裔白人。《绿皮书》以主题、类型范式和前文本的因袭与创新为路径,达成了"政治正确"和"艺术与商业的平衡"。它的成功告诉我们:电影的创作与生产,受到政治意识形态、类型范式、前文本、市场因素等的影响,寻求它们之间的最佳平衡状态,是考验影片编剧、导演等创作者艺术水准的试金石。Green Book,the winner of the best picture of the 91 st Academy Awards,has not only won high praise in various film festivals around the world,but also achieved impressive global box office success.However,it has also attracted some criticism.The film expresses identity of African-American people,while an Italian-American plays the role of his savior.It takes the inheritance and innovation of theme,type paradigm and pretexts as the way to achieve"political correctness"and"balance between art and business"during the creative process.The success of Green Book tells us that the creation and production of films are influenced by political ideology,type paradigm,pretext,market factors,etc.to find the best balance between them,which have become a touchstone to test the artistic level of film creators such as screenwriters and directors.

关 键 词：绿皮书 白人救世主 黑人身份 治愈式旅途片 

分 类 号：J905[艺术—电影电视艺术]