《藻海无边》中隐含作者的“权力嬉戏”解析  

Implied Author’s Power Play in Wide Sargasso Sea

作　　者：于元元[1] 孙伟 YU Yuanyuan;SUN Wei(School of Foreign Studies,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学外语学院,合肥230601

出　　处：《合肥工业大学学报（社会科学版）》2020年第3期79-84,共6页Journal of Hefei University of Technology(Social Sciences)

基　　金：安徽省高校人文社会科学研究重点项目(SK2015A250)。

摘　　要：中外学者多认为简·里斯作为克里奥女性,在其后殖民代表作《藻海无边》中对克里奥女主人公进行身份认同,即自弱势受害者的角度反抗和控诉父权与殖民霸权。然而,从叙事学视角深究,便会发现里斯在书中同时也利用了"隐含作者"的特权,以希腊诸神般居高临下的强者姿态惩戒、嘲讽和戏弄父权与殖民霸权,使文本成为她对强权的"嬉戏场",从而颠覆父权主义与殖民主义的权威。Scholars tend to hold a view that Jean Rhys,as a Creole woman,identifies herself with the Creole female protagonist in her post-colonial work–Wide Sargasso Sea who,from the perspective of a victim,rebels against and accuses of patriarchy and colonialism.Nevertheless,when studied from the perspective of narratology,this novel reveals that Rhys also takes the advantage of the privilege of the implied author to punish,mock and taunt patriarchy and colonialism haughtily like the gods in Greek myths,turning the text into a field of power play,by which she challenges and even subverts the authority of patriarchy and colonialism.

关 键 词：《藻海无边》 简·里斯 隐含作者 父权 殖民主义 权嬉戏 

分 类 号：I106[文学—世界文学]