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作 者:伊斯卡尔·艾赛提 木亚赛尔·托乎提 Iscar·Esset;Muyacel·Tohut(Xinjiang Arts University,Urumqi,830049)
机构地区:[1]新疆艺术学院,乌鲁木齐830049
出 处:《新疆艺术学院学报》2020年第2期104-109,共6页Journal of Xinjiang Arts University
摘 要:荒诞派戏剧因与传统戏剧创作方式的截然不同,又被称之为反戏剧派戏剧、反传统戏剧派戏剧。荒诞派戏剧作家舍弃人物、情节、语言的逻辑思维,运用非理性的创作理念。当今时代,荒诞派戏剧的排演愈发不稳定,对于荒诞派戏剧的评判也是褒贬不一,但荒诞派戏剧并非无逻辑可言。“荒诞派戏剧”的哲学基础是存在主义,剧作家抓住了“人存在的意义”这一点,通过看起来荒诞的戏剧方式展示出来。The absurd theatre is absolutely different from the traditional way of drama creation,it is also called the drama of the anti-drama group and the drama of the anti-tradition group.The absurd drama writers abandon the logical thinking of characters,plots and language and use the irrational creative ideas.In today's era,the rehearsal of the absurd theatre is becoming more and more unstable,and the absurd theatre has received mixed reviews.However,absurd theatre is not without logic.The philosophical basis of the absurd theatre is existentialism.The playwright captures the significance of human existence and shows it in a seemingly absurd way.
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