从上海滩到晋察冀:田间诗歌创作的“大众化”转型  

From Shanghai Beach to Shanxi-Chahar-Hebei: The Transformation to "Popularization" in Tian Jian's Poetic Creation

作　　者：吴昊 WU Hao(School of Literature,Langfang Normal University,Langfang,Hebei 065000,China)

机构地区：[1]廊坊师范学院文学院,河北廊坊065000

出　　处：《长沙理工大学学报（社会科学版）》2020年第4期76-85,共10页Journal of Changsha University of Science and Technology：Social Science

基　　金：教育部人文社会科学重点研究基地重大项目(17JJD750002)。

摘　　要：如果说田间在上海光华大学的求学生涯及其加入“左联”的经历是其“大众化”诗歌创作开端,那么,跟随西战地服务团来到延安、进入晋察冀则是田间诗歌转型的契机。在晋察冀,田间认真学习了《在延安文艺座谈会上的讲话》,并在下乡工作中与百姓有了更为密切的接触。正因为如此,田间对诗歌“大众化”的理解更为深入,他的创作也彻底实现了“大众化”的转型。If Tian Jian's academic career in Shanghai Kwang Hua University and his experience of joining the"Left League"were the beginning of his"popularization"in poetry creation,it was an opportunity for Tian Jian to transform his poetry to follow the western battlefield service group to Yan'an and enter Shanxi-Chahar-Hebei,where Tian Jian carefully studied The Forum of Literature and Art in Yan'an and had closer contact with the common people in the work of going to the countryside.Because of this,Tian Jian understood poetic"popularization"more deeply,and his creation has completely transformed to"popularization".

关 键 词：田间 民间歌谣 诗歌“大众化” 转型 

分 类 号：I207.2[文学—中国文学]