词学声律的潜规则论析——以《齐天乐》为例  

Analysis on the Hidden Rule in the Tone and Rhyme in Ci Study——Taking Qi Tian Yue for Example

作　　者：戴伊璇 朱惠国[1] DAI Yi-xuan;ZHU Hui-guo(Department of Chinese,Huadong Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《齐鲁学刊》2020年第3期136-142,共7页Qilu Journal

基　　金：国家社会科学基金重点项目“明清词谱研究与《词律》《钦定词谱》修订”(18ZDA253)。

摘　　要：词是音乐与文学结合的产物,晚宋以来词乐逐渐失传,因此,讲求文乐相和的格律派词人的作品是后人了解词律特征的必由之径。在各种词谱总结、标识的平仄格律之外,严谨的词家更是注意词律的细节,在模仿与创作中总结出了不少潜在规则,并约定俗成地遵守着。《齐天乐》是历代声律派词人偏爱的词牌,我们可以以此调为例,总结其在宋代如何定型,考察其在清代直至民国的承袭与演进,以探求词律潜在规则的存在与原因,从而尝试声律研究的新思路。Ci poetry is the product of combining music and writing.Since the late Song Dynasty,the music of ci poetry became lost gradually.Therefore,the literary works of metrical writers which emphasized the accordance between music and words were critical to those who wanted to understand the rhyme of ci.Besides the ping-ze format summarized in all kinds of music score of ci,the rigorous ci poets paid much attention to the details of the rhyme of ci poetry.They invented many hidden rules on rhyme of ci in their writing and these rules were observed conventionally.Qi Tian Yue was a preferred cipai by metrical ci poets in past dynasties.This article took Qi Tian Yue for example.We made studies on the shape of Qi Tian Yue in Song Dynasty and its evolution in Qing Dynasty.We tried to seek the cause of these hidden rules and find a new way in study of ci rhyme.

关 键 词：词律 《齐天乐》 潜规则 《乐府补题》 浙西词派 

分 类 号：I222.8[文学—中国文学]