历史书写的断裂与民族诗学的坚守——论格日勒图《断裂》的艺术品格  

The Rupture of Historical Writing and The Persistence of National Poetics:on the Artistic Character of Duanlie by Geriletu

作　　者：于东新 YU Dongxin(Research Base of Inner Mongolia Grassland Literature Theory,028000,Tongliao,China)

机构地区：[1]内蒙古草原文学理论研究基地,通辽028000

出　　处：《北方工业大学学报》2020年第4期126-132,共7页Journal of North China University of Technology

基　　金：“内蒙古民族文化建设研究工程”第二批项目“草原文学概论”(MZWH2015-18)。

摘　　要：《断裂》是一部还原、建构17世纪前叶科尔沁蒙古史的长篇小说。作品主人公奥巴洪台吉、哈丹铁穆尔、巴图拉等不是什么传奇英雄,无意继承传统历史小说歌颂英雄、崇尚传奇的写法,其原则是写"人",突出人的命运,以表现历史场域中人的心灵世界,即"解构英雄"。同时,小说在艺术品格上表现为鲜明的民族性与现代性的和谐统一,表现为再现草原独特的生活、宗教、风俗以及使用民族性标识的语言;其现代性是对西方魔幻现实主义艺术的吸收借鉴。Duanlie is a full-length novel that restores and constructs the history of Korqin Mongolia in the first part of the 17 th century.This work has no intention to inherit the writing method of praising heroes and advocating legends in the traditional historical novels.Its principle is to write"people",highlight the fate of people,and show the spiritual world of people in the historical field.At the same time,the novel shows distinct characteristics of nationality and modernity in artistic character.The main manifestation of its nationality is the reproduction of the unique life,religion,customs and the language with the national identity of the grassland.Its modernity is the absorption and reference of the Western Magic Realism Art.

关 键 词：《断裂》 格日勒图 历史书写 艺术原则 民族性 现代性 

分 类 号：I29[文学—中国文学]