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作 者:欧亚利[1] OU Ya-li(Department of Architecture and Civil Engineering,Zhangzhou Institute of Technology Zhangzhou,Fujian 363000,China)
机构地区:[1]漳州职业技术学院建筑工程学院,福建漳州363000
出 处:《井冈山大学学报(自然科学版)》2020年第3期73-79,共7页Journal of Jinggangshan University (Natural Science)
基 金:福建省教育厅中青年教师教育项目(JAS161079)。
摘 要:艺术是社会意识形态的直接反映,石雕装饰图案是万事万物与人、精神情感与物象的完美结合。古厝石雕装饰图案实现建筑地域风格在技术、艺术、人文等和谐统一。应用雕刻技艺七法在图案不受自然物象结构、透视、比例、虚实等束缚下,将不同时代的思想、习俗、审美趣味延续在石构件上。闽古厝石雕装饰图案受宗教和民间信仰文化影响,蕴藏着丰富的寓意,赋予古厝生命和灵魂。雕刻在石构件上的文化思想在闽民间推崇至今。关注闽地域建筑历史与文化特色,既要注重保持多样性的人文环境特征,也要重视传承地域建筑文化精髓,只有将优秀的装饰图案文化发展并延续下去,才能使传统装饰图案文化富有生命力。Art is a direct reflection of social ideology.The stone carving decorative pattern is the perfect combination of everything,people,spiritual emotions and objects.Thestone carving decorative pattern in traditional residence realizes the harmonious integration of the architectural regional style in technology,art and humanities.The seven techniques of carving techniques are not bound by the structure,perspective,proportion and reality of natural objects.The thoughts,customs,and aesthetic tastes of different eras are continued on the stone member of traditional residence.The ancient stone carving decorative patterns cater to the religious and folk belief culture,giving ancient life and soul.The cultural thoughts deeply in the stone members have been highly respected by the people.Paying attention to the historical and cultural characteristics of the regional architecture is to maintain the diversity of the humanistic environment characteristics,but also to inherit the essence of regional architectural culture.Only by developing and continuing the excellent decorative culture can we better distinguish the difference from the other decorative culture.Therefore,it has the recognizability of many aspects such as culture,vision and form,and better interprets the understanding of the times.
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