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作 者:陈颍 CHEN Ying(Department of Public Education,Hefei Preschool Eduction College,Hefei 230011,China)
机构地区:[1]合肥幼儿师范高等专科学校公共教学部,合肥230011
出 处:《辽东学院学报(社会科学版)》2020年第4期92-97,共6页Journal of Liaodong University:Social Science Edition
基 金:国家社会科学基金项目(17XZW019)。
摘 要:“昭君出塞”的故事被历代诗人吟咏不绝,清代昭君诗数量多达400余首。从互文性的角度看,清代昭君诗与前代作品之间是一种“反模仿”,出现了由反对和亲转变为赞同和亲、从“昭君怨”到“昭君颂”、由男性代言为主体到女性话语崛起的新变。There are more than 400 pieces of poems concerning Wang Zhaojun in the Qing dynasty.In the perspective of intertextuality,these poems are reverse imitation with those in the past dynasties.The marriage by which to make peace with rulers of minority nationalities in the border areas was approved.Wang Zhaojun was eulogized and the female discourse was emerging from the mode of man as the mouthpiece.
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