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作 者:宋家宏 SONG Jia-hong(School of Liberal Arts,Yunnan University,Kunming 650091,China)
出 处:《兰州文理学院学报(社会科学版)》2020年第4期24-31,共8页Journal of Lanzhou University of Arts and Science(Social Science Edition)
摘 要:何英形成了“诗意的灵见”为核心的文学批评观,她的批评基于文本的精读,展开宏阔的视野,承续“京派”文学批评的余韵,在“理论”与“感觉”之间达到平衡,把文学批评当作艺术创造,形成了感性、敏锐、坦诚、犀利的批评风格。“边地”并未对她的文学批评造成明显影响,忠于自己的审美判断,淡泊名利才是她成功的根本。然而,她也无法全然拒绝环境的局限。He Ying has formed a view of literary criticism with poetic insight as the core.Based on the intensive reading of texts and a broad field of vision,her literary criticism inherits the aftertaste of Beijing faction literary criticism,achieves a balance between theory and aesthesis and regards literary criticism as artistic creation,which forms a sentimental,keen,forthright and sharp criticism style.Borderland hasn’t had a significant impact on her literary criticism,whereas being faithful to her own aesthetic judgments and indifferent to fame and fortune are the foundation of her success.Obviously,she cannot completely reject the limitations of the environment.
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