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作 者:李新[1] LI Xin(Fine Arts Academy of Northeast Normal University,Changchun,Jilin 130024)
出 处:《艺术百家》2020年第2期37-46,共10页Hundred Schools In Arts
基 金:2019年度国家社会科学基金一般项目“经验论视域下中国艺术理论体系建构研究”(项目批准号:19BA011,项目编号:2019BA01760);2018年度国家社会科学基金艺术学重大项目“当代中国艺术体系研究”(项目批准号:18ZD03)阶段性成果之一
摘 要:艺术概念发展史上曾经历过"技艺时代"与"美的艺术时代",然而艺术作为人类经验的产物,对艺术的理解,需要在新的时代所提供的"艺术的""技艺性""美的"这三种因素基础上得到更高的阐释、统一和理解。文章从经验的角度重新阐释和定义艺术,统一从前的技艺艺术概念内涵和美的艺术概念内涵,从而形成新时代的艺术经验自觉,重建艺术概念的经验之维,不是将艺术限定于一种呆板的定义,而是提供给人们一个走进艺术的入口,一个与艺术更好地相遇、更好地理解与认识艺术的途径,进而从对中国艺术的经验形态、经验本色、经验方式的把握与认知中,重建当代艺术概念的经验之维。In the history of the development of art concept,there have been " the technicality age" and " the art age of beauty". However,as the product of human experience,the understanding of art needs a higher explanation,unity and understanding based on the three factors of " art", " technicality" and " beauty" provided by the new era. This paper reinterprets and defines art from the perspective of experience,unifies the connotation of the former art concept of art and the connotation of the art concept of beauty,so as to form the consciousness of art experience in the new era and reconstruct the dimension of experience of art concept,not limiting art to a rigid definition,but providing people with an entrance into art,a better encounter with art and a better way to know and understand art,and then reconstruct the dimension of experience of contemporary art concept from the grasp and cognition of experience form,experience essence and experience way of Chinese art.
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