《清明上河图》中的家具形制与北宋市井文化研究  

Research on Furniture Image Art in Qingming Shanghe Tu and the Marketplace Culture of Northern Song Dynasty

作　　者：赵湘学[1] 王学槐 ZHAO Xiang-xue;WANG Xue-huai(School of Arts,Hunan Universiry of Science and Technology,Xiangtan,Hunan 411201)

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《艺术百家》2020年第2期194-199,共6页Hundred Schools In Arts

摘　　要：从北宋开始,中国进入重文轻武的时代。城市的快速发展和商业贸易的繁荣,促进了市井文化的迅速兴起。高型家具在这一时期得以推广,"垂足而坐"的生活方式也由此而始。文章通过对张择端《清明上河图》中家具形制特点及其体现出的市井文化特征进行分析,梳理北宋家具形制变化与古代生活方式变迁之间的关系。From the Northern Song Dynasty,China has entered the era of emphasizing culture over military. With the rapid development of cities and the prosperity of commercial trade,the rapid rise of marketplace culture has been rapidly promoted. These are reflected in the promotion of high-end furniture and the change of life style of " sitting down with vertical legs". This article takes the famous painting of Zhang Zeduan’s Qingming Shanghe Tu as an example to study the prosperity of Bianliang,the capital of the Northern Song Dynasty and the reasons for the rise of market culture,to analyse the characteristics of the furniture form and the characteristics of marketplace culture reflected in the picture,and to sort out the relationship between the changes of the furniture form and the changes of ancient life style in the Northern Song Dynasty.

关 键 词：设计艺术 《清明上河图》 家具形制 北宋城市 市井文化 

分 类 号：J50[艺术—艺术设计]