颜宗《湖山平远图》评析  

Comment on Yanzong’s Flat and Far Map of Lake and Mountain

作　　者：张白露[1] ZHANG Bai-lu(School of Mechanical Engineering,Dongguan University of Technology,Dongguan 523808,Guangdong,China)

机构地区：[1]东莞理工学院机械工程学院,广东东莞523808

出　　处：《韶关学院学报》2020年第7期95-99,共5页Journal of Shaoguan University

基　　金：广东省哲学社会科学“十三五”规划2017年度一般项目“广东山水画流变史”(GD17CYS12)。

摘　　要：《湖山平远图》是明代画家颜宗的真迹,画卷以"平远"作为整体空间布置、以"全景"式表现作为空间构成重心,展现了升平盛世的世俗生活场景。《湖山平远图》承宋元遗韵,将宋代李成山水画平远冷峻空逸之境、元人山水画不食人间烟火的气息及院体山水画剑拔弩张的气势,变为自然的疏松浑厚,表现技法娴熟,布景精到,画面充满了人间温暖生活的趣味。Flat and Far Map of Lake and Mountain is the authentic work of Yan Zong,a painter of Song Dynasty.The scroll takes“Pingyuan”as the overall layout,and“panoramic”view as its focus of space,showing the secular life scene of prosperous times.Inheriting the rhyme of the Song and Yuan dynasties,the painting combines the styles of Licheng’s cool and empty style of Song,the absolutely otherworldly style of Yuan people,and the Yuan Ti’s tense moments style into the natural loose and generous,skillful performance techniques,exquisite scenery.The pictureis full of interest of people’s warm life.

关 键 词：湖山平远图 颜宗 广东 山水画 明初 

分 类 号：J205[艺术—美术]