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作 者:刘婧[1] 周毅[1] LIU Jing;ZHOU Yi(College of Literature and Journalism, Sichuan University, Chengdu,Sichuan 610000)
机构地区:[1]四川大学文学与新闻学院,四川成都610000
出 处:《绵阳师范学院学报》2020年第7期117-123,共7页Journal of Mianyang Teachers' College
基 金:四川大学中央高校基本科研业务费项目“21世纪中国文学史论”(skcb201401);“生态文明视域下川籍作家反现代书写研究”(2018skzx-pt222);“21世纪以来四川作家的反现代书写研究”(skzx2017-sb49)阶段性成果。
摘 要:地理空间是文学地理学研究的重要概念。解读作家在文学作品中创造的与地理相关的审美空间有利于深入理解作家的创作理想、审美倾向与创作得失。作为大巴山作家群的代表作家之一,张中信坚持书写大巴山数十年,出版《匪妻》《哦,野茶灞那些事儿》《红尘书》等一系列文学作品,引起文坛的较大关注。在创作时长、体量的沉淀中,以大量地理景观书写为依托,张中信作品形成了坚实可感的地理空间。其中乡村空间与城市空间的互斥与对照关系是其作品地理空间建构的核心,反映出作家深沉的原乡情结与可贵的艺术坚守。从作品地理空间的建构中,亦能略窥作家写作的得失。Geographic space is an important concept in the study of literary geography.Interpreting the geographical space related aesthetic space created by writers in literary works is conducive to a deeper understanding of writers'creative ideals,aesthetic tendencies,and gains and losses of creation.As one of the representative writers of Daba Mountain's writer group,Zhang Zhongxin insisted on writing Daba Mountain for decades and published a series of literary works,which caused a lot of great attention.In the accumulation of creation time and volume,relying on a large number of geographical landscape writing,Zhang Zhongxin's works formed a solid and sensible geographic space.The mutual exclusion and contrast between rural space and urban space is the core of the geographical space construction of his works which reflecting the writer's deep hometown complex and valuable artistic perseverance.From the construction of the geographical space of the works,the gains and losses of the writer's writing can be also explored.
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