“前方”的召唤——延安早期木刻运动及发展路线  

At the Request of the “Front”:the Early Stage of Yan’an Woodcarving Movement and Its Developing Course

作　　者：谢依阳 Xie Yiyang

机构地区：[1]广州美术学院

出　　处：《美术》2020年第7期98-104,110,共8页Art Magazine

摘　　要：本文详细梳理1937年-1942年延安木刻运动史料,确证了最初的木刻绘画组及鲁艺木刻研究班的组织活动,进而论述1938年底由鲁艺陆续出发前往晋察冀边区的三条不同的发展路线,最后分析"前方"与"后方"两个边区美协的区域特性与组织方式,厘清延安早期木刻运动发展的基本脉络。其中涉及到相关组织与人物之间的关系,寻找历史真相,返回历史语境,避免认识上的误区,包括后来对一些事情与人物的评价。抗战进入相持阶段,前方与后方的问题较为突出,而从"前方"概念切入,能引发我们对许多问题的思考。Through sorting out the historical records of Yan’an woodcarving movement from 1937 to 1942,this paper confirms the activities organized by the initial woodcarving painting group and Lu Xun Art Academy woodcarving research group,and discusses three routes that set off from Lu Xun Art Academy to the Shanxi-Chahar-Hebei Border Area at the end of 1938.This paper at last analyzes the regional characteristics and organization manners of art associations at the"front"and the"backstage",and clarifies the timeline of the development of Yan’an woodcarving movement in the early days.As relationships among organizations and people are involved,this paper seeks truths in history by returning to the original setting to avoid cognitive misunderstandings,including the later generations’evaluation of certain things and people.After reaching the stage of stalemate during the Anti-Japanese War,issues regarding the"front"and the"backstage"get serious,while starting from the concept of the"front"will be thought-provoking.

关 键 词：延安木刻 前方 鲁迅艺术学院 木刻工作团 边区美协 

分 类 号：J209[艺术—美术]