20世纪中国革命叙事中的延安图景  

The Image of Yan’an in the Narration of Chinese Revolution in the 20th Century

作　　者：屈健[1] 刘艳卿[1] Qu Jian;Liu Yanqing

机构地区：[1]西北大学艺术学院

出　　处：《美术》2020年第7期105-110,共6页Art Magazine

基　　金：陕西省社科基金项目“运用‘长安画派’口述史讲述陕西故事的策略研究”(立项号:2018K12);文化名家暨“四个一批”人才自主选题资助项目的研究成果。

摘　　要：20世纪革命题材美术创作中的延安图景,不仅包含艺术家在延安生活期间对延安边区的描绘,也涵括了新中国成立以来对延安的记忆、回顾和艺术想象的图像叙事。以伟岸的领袖、觉醒的人民和希望的黄土地为主要内涵的延安图景,形成了一种新的图像语言范式,将黄土高原浑厚博大的美学气象与领袖胸怀天下的精神气度、人民积极进取的整体风貌相结合,把共产党的政治主张和价值理想等潜置于图像之中,形成一种显性叙事与隐性指涉交相融合的叙事表达。这种图像叙事勾勒出了20世纪关于延安的变革史诗和文化记忆,也为新时代主题性美术创作提供了丰富的创作经验和图式表达。The image of Yan’an in the 20 th Century revolution-themed art creations contains the artists’depiction of Yan’an based on their own life experience as well as the artists’memory,review and artistic imagination of Yan’an since the founding of People’s Republic of China.Featured by great leaders,awakening people,and the yellow land symbolizing hope,the image of Yan’an constitutes a brand new form of image language paradigm,which integrates the vastness of Loess Plateau,the magnanimity of leaders,and the positive spirit of the people.The political proposition and value ideal of the Communist Party are embedded into the image,which generates a type of expression blended by expressive narrative and implicit innuendo.This kind of image narrative outlines transformation epic and cultural memory about Yan’an in the 20 th century,and provides rich experience and image expression for modern themed arts.

关 键 词：延安图景 领袖 人民 黄土地 

分 类 号：J209[艺术—美术]