从调式色彩看高邮民歌的风格特点  

The Stylistic Characteristics of Gaoyou Folk Songs Viewed from the Color of Modes

作　　者：徐光庆 李晔 XU Guang-qing;LI Ye(Yangzhou Polytechnic College,Yangzhou 225009,China)

机构地区：[1]扬州职业大学师范学院,江苏扬州225009

出　　处：《扬州教育学院学报》2020年第2期37-39,65,共4页Journal of Yangzhou College of Education

摘　　要：民歌作为人类文化的一个重要组成部分,具有鲜明的人文特性;而调式作为重要的音乐要素,不仅拥有鲜明的民族、种族、地域文化基因,而且与民族音乐学有着深层次的人类学联系,在很大程度上影响、支配、决定音乐作品的风格和色彩。文章从高邮民歌五声调式的占比、“宫徵商羽角”调式排列由刚至柔的顺序、偏音角度、调式转换角度阐释了高邮民歌的特点。As an important part of human culture,folk songs have distinct humanistic characteristics,while mode,an important element of music,not only has distinct ethnic,racial and regional cultural genes,but also has a deep anthropological connection with ethnomusicology,which can,to a great extent,influence,dominate and determine the style and color of musical works.This paper explains the characteristics of Gaoyou folk songs from the proportion of pentatonic mode,the order of“Do+Re+Me+Sol+La”mode arrangement from rigidity to softness,and the angle of tone deviation and mode transformation.

关 键 词：民歌 高邮民歌 调式 徵类调式 

分 类 号：J607[艺术—音乐]