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作 者:姚干勤[1] YAO Gan-qin(Yangzhou Polytechnic College,Yangzhou 225009,China)
出 处:《扬州教育学院学报》2020年第2期40-43,共4页Journal of Yangzhou College of Education
基 金:江苏省“十三五”教育科学规划重点课题(B-a/2016/03/31)。
摘 要:为了使扬剧在继承传统的基础上焕发新的活力,以扬剧舞美为研究对象,分析了扬剧及其舞美发展的历程,重点探讨了扬剧舞美在设计理念、民族文化传承、设计布局和舞美加工工艺等方面创新的可能和方法,并提出舞美设计中“变与不变”的宗旨,结合实例探讨传统戏剧舞美在高等院校教育中的传承,最后指出“戏以人重、不贵物也”的内在精神与本质。In order to bring new vitality to Yangzhou opera on the basis of inheriting the tradition,this paper,taking the stage art of traditional Yangzhou opera as the research object,analyses the development course of Yangzhou opera and its stage art.It mainly probes into the innovative possibilities and methods of the stage art of Yangzhou opera in the design concept,national culture inheritance,design layout and the processing technology of stage art,and puts forward the tenet of“change and invariance”in stage artistic design.Moreover,it discusses the inheritance of the traditional stage art in higher education through examples.Finally,it points out the inner spirit and essence of“Opera is based on actors,not on things”.
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