伍尔夫小说《远航》中现象与经验的辩证性  

Dialectics between Phenomenon and Experience in The Voyage Out by Virginia Woolf

作　　者：隋晓荻[1] 王如 SUI Xiaodi;WANG Ru(School of Foreign Language, Dalian University of Technology, Dalian116000, China)

机构地区：[1]大连理工大学外国语学院,辽宁大连116000

出　　处：《长春大学学报》2020年第7期50-54,共5页Journal of Changchun University

基　　金：辽宁省社科基金规划重点项目(L17AWW003);大连理工大学校级项目(DUT18RW302,DUT18RW215)。

摘　　要：英国现代主义作家伍尔夫的小说创作具有高度的哲学性。《远航》是作者试图以小说形式解决现代性主体难题的初步尝试。于此,伍尔夫对生活进行了现象学式的揭示,呈现为《远航》中完整的生活世界。沉默、音乐、死亡作为这一世界中三种独特的现象,对于小说中的现代主体具有特别的经验意义。文章以此为出发点进行探讨,认为现象和经验之间的关系存在黑格尔意义上的辩证性。这不仅构成了小说的形态变化,还展现了以雷切尔为代表的现代主体确认自身、理解他人、进入社会的过程。然而这一辩证的过程终以死亡宣布中止,意味着现代主体在遭遇社会系统性时的悲剧性消解。Woolf is a British modernist writer,whose creation is highly philosophical.The Voyage Out is her first attempt in the form of novels to solve modernity difficulty.In this regard,Woolf made a phenomenological revelation of life and presented it as the complete life world in The Voyage Out.Silence,music and death as three distinctive phenomena in this world,have special experience significance for modern subject.Going from this starting point,the paper holds that dialectics in Hegel’s sense accord to the relationship between phenomenon and experience,which not only constitutes the morphological change of the novel,but also shows the processes of modern subject represented by Rachel in identifying themselves,understanding others and stepping into the society.However,the dialectical process ended with death,symbolizing the tragical dissolution of modern subject encountering social system.

关 键 词：弗吉尼亚·伍尔夫 《远航》 现象 经验 辩证性 主体 

分 类 号：I561.074[文学—其他各国文学]