汉魏赋中妇女形象的文化学阐释  

Cultural Aesthetic Interpretations of Women's Image in Han Wei Prose

作　　者：张俊娅 ZHANG Junya(Department of Chinese Language Literature,Northwest Minzu University,Lanzhou 730000,Gansu,China)

机构地区：[1]西北民族大学中国语言文学学部,甘肃兰州730000

出　　处：《咸阳师范学院学报》2020年第3期96-100,共5页Journal of Xianyang Normal University

摘　　要：汉魏赋中刻画的女性形象可分为美女和悲妇两种,这些女性形象是男性心理与文化因素的映射。对于美女的热情描绘,是男性作者表达情意的一种方式,而赋末的曲终奏雅,是作者理性的适时回归,表现出儒家思想对赋作者思想与行为的约束与引领。而汉魏赋中弃妇、寡妇们对命运的顺从,一方面是因为男性作者们的心理期待,最重要的因素是历代的封建礼制对于女性的禁铟与压抑。The female images depicted in Han Wei prose can be divided into two kinds of women:beautiful ones and resentful ones.These female images are the mapping of male psychological and cultural factors.The passionate portrayal about beautiful women is a way for male writers to express their sentiments,and the finality of the end of the prose works is the timely return of the writer's rationality,showing the constraints and guidance of Confucianism imposed on the author’s thought and behavior.And the obedience to the fate of abandoned women and widows in Han Wei prose,on the one hand,is due to the male authors'psychological expectations,but the most important factor is the confinement and repression imposed on women from several generations of feudal etiquette.

关 键 词：汉魏赋 美女 悲妇 美学阐释 

分 类 号：I222[文学—中国文学]