明代诗话的文体观念  

The Stylistic Concept in the Notes on Ming Dynasty Poets and Poetry

作　　者：党圣元[1,2] DANG Sheng-yuan(Advanced Institute of Humanities&Social Sciences,Shaanxi Normal University,Xi’an 710119,Shaanxi;Institute of Foreign Languages,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院大学人文学院,北京100732 [2]陕西师范大学人文社会科学高等研究院,西安710119

出　　处：《厦门大学学报（哲学社会科学版）》2020年第4期39-49,共11页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

基　　金：国家社会科学基金重大招标项目“中国古代文体观念文献整理与研究”(18ZDA236)。

摘　　要：明代诗话作为历代诗话及明代诗论的重要组成部分,包含极为丰富的文体史料。其中所体现的文体观念包括本色与当行、拟体与效体、得体与失体、定体与大体、唐宋诗之争与唐宋体之辨、初盛中晚与四唐辨体、一代有一代之文学与一代有一代之文体、诗派与体派等诸多方面,形成了系统的文体学理论体系。这可以说是明代文体集大成之说的有力证明,在明代诗学史和明代文体批评史上具有重要地位和影响。As an important part of the poetic theory of the Ming Dynasty and the notes on poets and poetry of the past dynasties,the Notes on Ming Dynasty Poets and Poetry contain a wealth of historical stylistic materials,which embody a great variety of stylistic ideas,including:naturalness and expertness,imitation style and learning style,conformity with style and inconformity with style,definitive style and general style,dispute over Tang and Song poems and discrimination of Tang and Song styles,stylistic analyses of the early,high,middle and late Tang Dynasty,literature from generation to generation and style from generation to generation,school of poetry and school of style,etc.These stylistic concepts have formed a systematic stylistic theory system,which can be said to be strong proof of the theory that stylistics in the Ming Dynasty could be integrated into a whole.They have an important position and influence in the history of Ming Dynasty poetry and stylistic criticism.

关 键 词：明代诗话 本色当行 拟体效体 得体失体 唐体宋体 一代有一代之文体 体与派 

分 类 号：I206.09[文学—中国文学]