先秦齐鲁地域琴文化考略  

A Study on Qin Culture of Qilu Region in Pre-qin Dynasty

作　　者：肖明胜[1] Xiao Mingsheng(Weifang Engineering Vocational College,Qingzhou 262500,China)

机构地区：[1]潍坊工程职业学院,山东青州262500

出　　处：《台州学院学报》2020年第4期82-87,共6页Journal of Taizhou University

基　　金：2019年度山东省人文社会科学课题《齐鲁文化与古琴艺术关系研究》(19-ZZ-LS-04)。

摘　　要：齐鲁地域是中国历史上较早出现琴文化的地域之一,最早可上溯到虞舜时期。春秋战国时期,曲阜和临淄相继成为音乐文化中心。以姜子牙、宁戚、邹忌、雍门周等为代表的齐国琴士和以孔子及其弟子为代表的鲁国琴士抚琴、制作琴曲,发扬光大了琴文化。齐鲁琴文化的内涵价值主要体现在托琴言志、鸣琴治世、以琴寓情、缘琴进谏等四个方面。以“提倡雅乐,反对郑声”,“乐而不淫,哀而不伤”,“克己复礼,礼乐结合”,“以琴治世,兼济天下”为特点的孔子琴教思想为琴文化在齐鲁地域的传承起到了举足轻重的作用,对后世影响深远。The Qilu region is an area where qin culture appeared earlier in Chinese history,which can be traced back to the Yushun period.During the Spring and Autumn Period and the Warring States Period,Qufu and Linzi successively became musical culture centers.Guqin players from Qi represented by Jiang Ziya,Ning Qi,Zou Ji,Yong MenZhou,etc.,and Guqin players from Lu represented by Confucius and their disciples played Guqin and produced notes,which enhanced the Guqin culture.The connotative value of Qi and Lu Guqin culture is mainly reflected in playing the Guqin to express personal ambitions,social governance,affections and voice behavior.Confucian Guqin's educational thoughts featured as“governing the world with Qin and benefiting all”have a profound influence on future generations in Qilu region.

关 键 词：先秦 齐鲁 琴文化 礼乐 

分 类 号：J632.31[艺术—音乐]