传统漆艺本土性的现代转化  

Modern Transformation of the Nativeness of Traditional Lacquer Art

作　　者：陈晶[1] Chen Jing

机构地区：[1]闽江学院美术学院,福建福州350001

出　　处：《中国生漆》2020年第2期46-51,共6页Journal of Chinese Lacquer

基　　金：2018年福建省中青年教师教育科研项目(JAS180360);2018闽江学院重点科研项目,(MYS18026)。

摘　　要：在以多样性文化为核心的后工业时代,不同文化兼生并存,在交融、解构与重建中探索着发展空间。在此背景下,传统漆艺面临着复兴和转型,其独特的本土性文化和精神价值被现代人所重新关注,并作为一种再造当今文化的基础和资源。现代漆艺一方面与当代艺术结合进入纯艺术领域,同时也要积极开拓漆艺"新生活用品"领域的探索,并将其再现于当代生活形态和空间中,这也是传统漆艺历经辉煌到失落再到本土意识觉醒,并形成东方设计自觉追求的历程。In the post industrial era with diversity culture as the core,different cultures coexist and explore the development space in blending,deconstruction and reconstruction.In this context the traditional lacquer art is facing the renaissance and transformation,its unique local culture and spiritual value has been reconcerned by modern people,and become basis and resource for the reconstruction of today’s culture.On the one hand,modern lacquer art is combined with contemporary art to enter the field of pure art.At the same time,it is also necessary to explore the field of"new daily necessities"of lacquer art,and reappear it in the contemporary life form and space.It shows that traditional lacquer art has gone through brilliant,lost and local consciousness awakening,and forms the course of oriental design conscious pursuit.

关 键 词：漆艺 本土性 后工业 现代转化 

分 类 号：J527[艺术—艺术设计]