简化变奏手法在拉萨堆谐中的运用--以堆谐《达瓦勋努》《夏龙扎》《占堆念迥》中的运用为例  

Simplifications of variations in Lhasa’s Stod Gzhas--As in the pieces Zla Wa’i gZhon Nu,Shar Lung Brag and dGra’Dul gNyen sKyong

作　　者：毛唯宇 Mao weiyu

机构地区：[1]西藏大学艺术学院

出　　处：《西藏艺术研究》2020年第2期11-18,共8页Tibetan Art Studies

摘　　要：堆谐是一种达到很高的艺术水准的重要的歌舞艺术体裁之一,拉萨堆谐除了具有共同的风格特征和结构特征,在结构技法上也采用了具有共性特征的处理手法。本文就存在于拉萨堆谐慢歌与快舞之间的简化变奏手法进行了分析和研究,以期为堆谐的表演、鉴赏、分析、研究带来新的思路。sTod gZhas is one of important artistic forms of song and dance,at a high level of art.Lhasa’s sTod gZhas,while having common features of its style and structure,also uses skills of overall character for the structure.In this dissertation,analyses and researches will be done on the simplifications of variations used between the slow-singing parts and fast-dancing part sin pieces of Lhasa’s sTod gZhas,for new trains of thought about performances,appreciations,analyses and researches of sTod gZhas.

关 键 词：堆谐 慢歌 快舞 简化变奏 技法 分析 

分 类 号：J61[艺术—音乐]