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作 者:周方舟 江东 Zhou fangzhou;Jang dong
机构地区:[1]西藏大学艺术学院舞蹈系
出 处:《西藏艺术研究》2020年第2期46-52,共7页Tibetan Art Studies
摘 要:由昌都市文化局主办的首届昌都锅庄展演比赛暨高峰论坛于2019年8月19日至25日在西藏自治区昌都市隆重举行。本次比赛和高峰论坛在主办方的精细策划,昌都市各机关部门的通力合作下,极好地宣传了西藏昌都丰富的文化资源,也彰显了锅庄在当代的文化价值,映射出其背后博大精深的文化底蕴,推动了锅庄文化的传承、发展与传播的力度。本论文以此次比赛与高峰论坛为背景,着重介绍、分析了这一文化活动过程并以自我文化为视角,提出了一些见解。期望对挖掘、改善锅庄文化中存在的问题,为建构丰富多元的西藏文化理论体系产生裨益。The first Qamdo Guozhuang Exhibition Competition and Summit Forum hosted by Qamdo Culture Bureau was held in Qamdo,Tibet Autonomous Region from August 19 to 25,2019.The participants deeply analyzed and elaborated the cultural connotation of "Guozhuang" in the current context from various perspectives and standpoints,and conducted a broad and multi-level exploration on the name definition,historical origin,inheritance and development of Guozhuang dance.Overview of this event,the holding of this event has promoted the inheritance,development,and dissemination of Guozhuang culture,and it has helped to excavate and improve the problems in Guozhuang culture and build a rich and diverse cultural theory system.Here,I will sort out the basic situation of the exhibition and the forum to readers,hoping to contribute to the protection,inheritance,and development of traditional culture.
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