战争、女性与权力——论严歌苓小说《金陵十三钗》的空间书写  

War,Women and Power:The Space Writing in Geling Yan’s Novel The Flowers of War

作　　者：刘中望[1] 向宇 LIU Zhongwang;XIANG Yu

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《湖南师范大学社会科学学报》2020年第4期63-69,共7页Journal of Social Science of Hunan Normal University

基　　金：湖南省研究生科研创新项目“文化记忆视角下严歌苓小说中的女性形象塑造研究”(CX20190456);湖南省学位与研究生教育改革重点项目“改革开放40年湖南省中文学科研究生培养经验与反思研究”(JG2018A017)。

摘　　要：在严歌苓小说《金陵十三钗》的战争书写中,威尔逊教堂的内外空间、阁楼和地下仓库共同构成象征权力运行的"十字形"空间,回忆录式的跨历史性叙述和异质空间叙事强化意蕴生成,在规范与失序的二元对立框架中,空间构型及其变动寓示话语权争夺和女性意识表达。上述独特的空间形态及其美学意蕴,负荷严歌苓对战争心理影响和女性底层生存的深度思考,凸显其文化记忆和身份寻根的实践品格和人性反思。Geling Yan’s novel,The Flowers of War,tells a story about history and war.The inside and outside of Wilson Church,attic and underground warehouse hold the space together as crisscross.This crisscross is based on the formation of power activity.The novel uses a form which is similar to a memoir.In this form,cross-historical narrative and heterogeneous narrative strengthens implication generation.In the dualistic framework of norms and anomies,the spatial configuration and its changes imply the struggle for the right to speak and the expression of female consciousness.These unique spatial form and the aesthetic implication carry Geling Yan’s in-depth reflections on the psychological impact of war and the survival of women at the bottom,highlighting the practical character and human nature reflection of her cultural memory and identity roots.

关 键 词：《金陵十三钗》 空间 十字形 焦土 完美女性 

分 类 号：I712.074[文学—其他各国文学]