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作 者:汪小玲[1] Wang Xiaoling
机构地区:[1]上海外国语大学
出 处:《英美文学研究论丛》2020年第1期80-90,共11页English and American Literary Studies
基 金:上海市哲学社会科学课题规划一般课题(2019BWY030);2018年上海外国语大学校级重大科研项目“种族·性别·后工业——美国现当代文学中的负情感书写与平权文化软实力研究”(2018114028)的阶段性成果。
摘 要:负情感以其独特的情感纹理、审美内涵和政治指向引起学界越来越多的关注,成为美国政治、历史与文学研究的交叉点。不少"为社会代言、为民权发声"的美国作家都在作品中对美国社会亚文化人群的生存状态及负情感体验做了详尽的书写,而这些既有深厚历史背景、又打上鲜明时代烙印的文学作品多数成为"美国文学三大奖"的获奖作品,成为近现代美国文化政治研究的"另类史料"。本文从情感理论的视角,聚焦"美国文学三大奖"1960—2018年获奖小说中的负情感美学和艺术表现,并结合社会历史与政治语境,考察作为政治的负情感对美国族裔、性别文化及社会平等精神建设的推动意义。Ugly feelings,with the unique emotional texture,aesthetic connotation and political orientation,have attracted more and more attention in academic circles,and have become the intersection of American politics,history and literature.Many American writers who "speak for society and civil rights" have written in detail about the living conditions and negative emotional experiences of sub-cultural groups in American society.Most of these works with profound historical background and distinct epochal imprint have been awarded the "Three Prizes for American Literature"and have become the alternative historical materials for the research on modern American culture and politics.From the perspective of affect theory,this paper focuses on the aesthetics of ugly feelings and the artistic expression in the novels winning the "Three Prizes for American Literature"(1960—2018),and combines social history and political context to examine the significance of ugly feelings as politics in promoting the construction of American ethnic culture,gender culture and the spirit of social equality.
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