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作 者:艾雨池 AI Yu-chi(School of Marxism,Tongji University,Shanghai 200082)
出 处:《潍坊工程职业学院学报》2020年第3期77-82,共6页Journal of Weifang Engineering Vocational College
摘 要:石黑一雄的反乌托邦式长篇小说《别让我走》于2017年获得诺贝尔文学奖,他在其中所塑造的无反抗、逃离意识的克隆人形象引得一片质疑与探讨。本文从葛兰西的霸权理论出发,探索克隆人无法逃离的原因:文中的统治阶级——人类通过生存环境的封闭、生存基因的剔除、严格的监视和检查体制、文化上的渗透教育、人格上的打压,成功地把克隆人塑形成为人类奉献生命的被统治阶级。通过石黑一雄细腻又残忍的描述,引发了对当下社会霸权困境的思考,反思舆论引导和话语权构建的工作以及对弱势群体的话语霸权现象。Kazuo Ishiguro's dystopian novel Never let me go won the Nobel Prize for literature in 2017,and the clone image he created without resistance and escaping from consciousness has been questioned and discussed.This article embarks from the gramsci's hegemony theory to explore human cloning cannot escape the reason:the text of the ruling class-through human survival environment,survival genes,closed out,strict monitoring and inspection system,cultural infiltration education,personality,the successful clone shape become human life by the ruling class.Through Kazuo Ishiguro's delicate and cruel description,it also leads to the reflection on the dilemma of current social hegemony,the reflection on the work of public opinion guidance and discourse power construction as well as the phenomenon of discourse hegemony over the vulnerable groups.
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