中国电影的荒诞主题疏论  

On the Absurd Theme of Chinese Films

作　　者：毛晓敏[1] Mao Xiaomin(School of Film and Television Media,Anhui Wenda University of Information Engineering,Hefei 231200,China)

机构地区：[1]安徽文达信息工程学院影视传媒学院,安徽合肥231200

出　　处：《黑河学院学报》2020年第7期139-141,149,共4页Journal of Heihe University

摘　　要：现实主义主题电影在表达时常伴随着荒诞主题。荒诞主题的认知在词典含义及哲学溯源中具有较大的差异。而文学和艺术更倾向于荒诞是人类感知反理性状态后的理性自觉。电影作为人类重要的艺术形式,也在探索着对荒诞主题的认识。国产电影中现实主义始终引领电影发展,而大多阶段,电影艺术家们都在关注电影的荒诞感表达,以期增添现实主义电影的主题表达方法。The film with the realist theme more often than not expresses the absurd theme.The cognition of the absurd theme shows great differences in the meaning of the dictionary and the origin of philosophy.Literature and art is more inclined to absurdity,which is viewed as the rational consciousness after human beings’perceiving the anti-rational state.As an important art form,the film is also exploring the understanding of the absurd theme.Realism has always led the development of domestic films;in most cases,film artists pay attention to the expression of the sense of absurdity in the film in order to add the theme expression method in realistic films.

关 键 词：中国电影 荒诞主题 现实主义 

分 类 号：J905[艺术—电影电视艺术]