明代李杜集合刻现象及其文学史意义  

The Co-edition Phenomenon of Li Du Collection in Ming Dynasty and Its Significance in the Literature History

作　　者：王永波 WANG Yong-bo(School of Chinese Language and Literature,China West Normal University,Nanchong 637001,China)

机构地区：[1]西华师范大学文学院,四川南充637001

出　　处：《齐鲁学刊》2020年第4期127-134,共8页Qilu Journal

摘　　要：明代首次出现李白、杜甫集合编与合刻现象,包括全集与选本,存世数量较多.明人编刻李杜集主要有三种类型:一种是汇刻宋元人编纂的李杜集;一种是汇刻本朝人编纂的李杜集;一种是明人注解李杜集.从书目著录与文献实物来看,这三种类型的李杜集合刻都有先后传承关系.明代还刊刻了不少李杜诗选本,包括白文本和注解本,这些注本各有特点,显示出明人对李杜的推崇与喜爱.合编、合刻李杜集是明人的创举,在评论李杜及其诗歌时明人也尽量做到公允,阐明各自的艺术特色,尽量避免抑李扬杜或抑杜扬李,这也是李杜双峰并峙的主要内容,具有多种文学史意义.The co-edtion phenomenon of Li Bai and Du Fu collection appeared for the first time in the Ming Dynasty.It included the complete works and the selection,which have been handed down to this day with a large number.There are three main types of Li Du collection compiled by the Ming Dynasty.One is the collection of Li Du compiled by the people of the Song and Yuan Dynasties,the second is the collection of Li Du compiled by the people of the Ming Dynasty,and the third is the annotation of Li Du compiled by the people of the Ming Dynasty.From the point of view of bibliographic description and document object,the three types of Li Du collection have successively inherited relationship.In the Ming Dynasty,a lot of selected poems of Li and Du were published,including white text and annotated text.These annotated texts have their own characteristics,showing the esteem and affection of the Ming people to Li Du.The co-edition and co-engraving of Li Du collection is a pioneering work of the Ming Dynasty.In commenting on Li Du and his poems,the Ming Dynasty did its best to be fair,to clarify their own artistic features,and to avoid suppressing Li but flattering Du or on just the opposite.This is also the main content of Li and Du’s merging,and has various literary significance.

关 键 词：明代 李白集 杜甫集 合编 合刻 

分 类 号：I209[文学—中国文学]