沈从文散文“文化还乡”中的民族同一性建构蕴涵——以文化记忆批评理论为视角  

On the Implication of Construction of National Identity of Cultural Return in Shen Congwen’s Essays——From the Perspective of the Critical Theory of Cultural Memory

作　　者：石柏胜 楚琳 郭红超 SHI Bo-sheng;CHU Lin;GUO Hong-chao(Chinese and Communication Department,Bozhou University,Bozhou Anhui 236800,China;Educational Science Department,Bozhou University,Bozhou Anhui 236800,China)

机构地区：[1]亳州学院中文与传媒系,安徽亳州236800 [2]亳州学院教育系,安徽亳州236800

出　　处：《湖北第二师范学院学报》2020年第6期1-5,共5页Journal of Hubei University of Education

基　　金：安徽省教育厅科学研究项目资助:2017年安徽省高校人文社科重大研究课题“沈从文散文中的文化记忆与民族价值观”(SK2017ZD53)。

摘　　要：沈从文以《湘行散记》《湘行书简》《湘西》等为代表的系列散文,以鲜活的生命体验为根基,在“文化还乡”的思想引领下希冀通过都市现代文明与乡村质朴精神的互比对照,来探析社会文化心理、重铸民族生命价值和营造人类精神家园。正是基于这一宏大而深刻的文化意义框架,其文本在对都市文化批判和现代乡村文化隐忧中实现了对民族价值观的探索与构建,从而生成了丰赡而深刻的民族文化内涵。其在历史的接受过程中不断被演绎为民族文化“延伸的场景”,成为映照我国上世纪二十至四十年代城乡文化道德生活对比风貌的“文化记忆场”,并最终获得了民族同一性建构的深刻内涵,从而实现了从普通文本到经典文本的华丽嬗变。Guided by the native culture,Shen Congwen,whose essays represented by Sketches of Travelling in Hunan Province,Letters about Travelling in Hunan Province,The Western Part of Hunan Province,hoped to explore how to construct social and cultural psychology,human spiritual homeland and national life value in the manner of contrast between rural and urban civilization.Based on this grand and profound cultural meaning,his essays explore and construct national values with criticism of urban culture and worries about modern rural culture,thus generating the abundant and profound national cultural connotation.Regarded as extended scenes of national culture,his essays reflect the urban culture and morality and the rural one of the 1920’s to 1940’s and become the cultural memory of the period,thus winning the profound connotation of the construction of national identity and transforming from ordinary text to the classical text.

关 键 词：沈从文 散文 文化记忆 文化还乡 民族同一性 

分 类 号：I207.67[文学—中国文学]