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作 者:周福芹[1] 李潘坡[1] 孙超[1] ZHOU Fuqin;LI Panpo;SUN Chao(Xingtai Polytechnic College,Xingtai 054035,China)
出 处:《染整技术》2020年第7期56-60,共5页Textile Dyeing and Finishing Journal
基 金:2019年度河北省社会科学发展研究课题(2019030202037);2019年度河北省社会科学发展研究课题(2019031305014)。
摘 要:沙河豆面印花是极具地方特色的传统手工技艺,工艺流程简单,独具特色,具有较高的艺术与文化价值。做好豆面印花技艺的传承与发展,振兴乡村传统工艺及文化,对促进从业农民增收、建设美丽乡村具有重要意义。建立传统手工技艺工作室及陈列馆,融入乡村旅游、创意农业发展,借助数字化网络平台宣传非物质文化遗产等措施是豆面印花技艺现代传承的新路径。引入现代印染及信息技术,融入流行设计元素,改进印花工艺等"技"的变革,丰富了印花产品的样式、衍生品;做好非遗元素的拓展等"艺"的创新,是豆面印花在传统工艺振兴中再生的主要途径。Shahe bean flour printing is a traditional handicraft with local characteristics. It has a simple process and unique characteristics, and has high artistic and cultural value. It is of great significance in promoting the income of farmers and building a beautiful countryside by inheriting and developing the technology of bean flour printing and revitalizing the traditional rural technology and culture. The establishment of traditional manual art studios and exhibition halls, integration of rural tourism and creative agriculture development, and the use of digital network platforms to promote intangible cultural heritage and other measures are the new ways of modern inheritance of bean flour printing technology. The introduction of modern printing and dyeing, information technology, integration of popular design elements, improvement of printing technology and other "technological" reform enriches the pattern of printing products and its derivatives. The innovation of "arts" such as the expansion of intangible cultural heritage elements is the main way for bean flour printing regeneration during the traditional technology revitalization.
分 类 号:TS194[轻工技术与工程—纺织化学与染整工程]
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