试论山西民歌《剪靛花》的同宗现象  

On the Phenomenon of the Same Clan in Shanxi Folk Song“Jian Dianhua”

作　　者：王斐 Wang Fei(Shanxi Research Institute of Music,Dance and Quyi,Taiyuan, Shanxi, 030001)

机构地区：[1]山西省音乐舞蹈曲艺研究所,山西太原030001

出　　处：《山西广播电视大学学报》2020年第2期86-92,共7页Journal of Shanxi Radio & TV University

基　　金：山西省艺术科学规划课题“山西同宗民歌的多样化研究”阶段性成果(项目编号:2019D33)。

摘　　要：《剪靛花》是明末清初广泛流传于我国北方地区的俗曲曲牌。在山西各民歌特色区中,存在着众多的同宗的《剪靛花》子体民歌,它们的传播以“乐籍制度下的有意传播”和“口传心授的自然传播”两种方式进行。山西同宗民歌《剪靛花》主要存在于“小调”“秧歌”和“套曲”中,且称谓是有所不同的。子体民歌多以“宫调式”为主,“徵调式”次之,以四句式结构最为典型,在其曲调结构、旋律特征、词格词式以及部分句子落音等方面具有“同宗性”。“Jian Dianhua”is a popular folk tune in northern China in the late Ming and early Qing dynasty.In the characteristic areas of Shanxi folk songs,there are many sub-genre folk songs of“Jian Dianhua”of the same clan,which have been carried out in two ways:“intentional transmission under the system of musical origin”and“natural transmission by mouth and heart”.“Jian Dianhua”,aShanxi folk song of the same clan,mainly exists in“minor tune”,“Yangge”and“Divertimento”,and its appellation is different.The sub-style folk songs are mainly“1 style”,followed by“5 style”,and the most typical isfour-sentence pattern.They have“the same clan”in its melody structure,melody characteristics word form,part of the sentence drop sound and other aspects.

关 键 词：山西 同宗民歌 《剪靛花》 传播方式 宫调式 徵调式 四句式结构 六句式结构 

分 类 号：J607[艺术—音乐]