当代中国新十大芭蕾舞剧述评  

A Review of the Ten New Ballets in Contemporary China

作　　者：于平[1] Yu Ping

机构地区：[1]南京艺术学院舞蹈学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2020年第2期164-173,6,共11页Journal of Nanjing Arts Institute:Music & Performance

基　　金：国家社科基金艺术学重大招标项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949-2019)”(项目编号:19ZD17)的阶段性成果。

摘　　要：本文是《当代中国十大芭蕾舞剧述评》的续篇,述评的是本世纪第二个十年内诞生的优秀芭蕾舞剧。之所以不必再等候又一个“半个世纪”,是鉴于芭蕾艺术在中国迅速发展和提高的现状——特别体现为“舞团”的增列和“剧目”的创生;在增列的舞团和创生的剧目中,我们注意到一个特别值得关注的现状,即每一个芭蕾舞团在新剧目的创编上都在形成自己“独特性”的追求。对于优秀芭蕾舞剧的述评,不仅有利于我们深入探究芭团的“独特性”追求,也为芭蕾“中国学派”的建构提供更多有利的借鉴。This article is a sequel to the Review of the Ten Contemporary Chinese Ballets.It reviews the outstanding ballets produced in the second decade of this century.The reason why we don't have to wait for another"half century"is that the art of ballet is developing and improving rapidly in China,especially seen in the increasing start-up of"dance troupes"and creation of"repertoire".In the added dance troupes and new shows,we have noticed a special situation worthy of attention,that is,each ballet is pursuing its own"uniqueness"in creating new pieces.Reviewing of outstanding ballets is not only conducive to our in-depth exploration of the troupes’quest for"uniqueness",but also provides more beneficial references for the construction of ballet of"Chinese School".

关 键 词：当代中国 新十大芭蕾舞剧 舞剧创作 芭蕾“中国学派” 述评 

分 类 号：J709[艺术—舞蹈] J705