回归自然秩序的抽象几何——以伊东丰雄建筑作品为例  

Abstract Geometry’s Returning into the Natural Orders——Take Tokyo Ito’s Design as an Example

作　　者：魏亚文 刘振 Wei Yawen;Liu Zhen

机构地区：[1]中国建筑设计研究院有限公司

出　　处：《建筑与文化》2020年第8期234-235,共2页Architecture & Culture

摘　　要："衍生的秩序"是伊东丰雄建筑设计思想的基本架构,"衍生"即持续变化,是伊东丰雄直到现在依旧处于进行时的设计思考。文章通过台湾大学社会科学院、台中大都会歌剧院和岐阜媒体中心三个典型建筑作品,梳理伊东丰雄在后仙台时期让建筑的抽象几何回归到自然秩序中的设计理念,并试图通过赣县区全民健身中心项目探索建筑空间中的自然秩序。"Generative order" as the basic structure of Toyo Ito’s architectural design thoughts, means continuous change, which is the design thinkings until now. This article analyzes the three typical architectural works of the Taiwan University of Social Sciences, National Taichung Theatre, and Gifu Media Cosmos, and sorts out the design ideas of Toyo Ito that allowed the abstract geometry of the building to return to the natural order in the post-Sendai period. This article also explores the dynamic attributes of space through the design of the National Fitness Center project in Ganxian District,Ganzhou City,Jiangxi Province.

关 键 词：自然秩序 衍生的秩序 漩涡空间 赣县区全民健身中心 

分 类 号：TU-86[艺术—艺术设计]