先锋视野:京派文学批评的现代性  

Vanguard Vision:Modernity of Beijing School Literary Criticism

作　　者：文学武[1] Wen Xuewu

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《江西社会科学》2020年第7期73-80,255,共9页Jiangxi Social Sciences

基　　金：国家社会科学基金一般项目“京派文学与中国现代都市文化空间关系研究”(13BZW110)。

摘　　要：京派文人在重视文学创作的同时,特别重视文学批评和文学理论建设,有些京派文人堪称现代意义上的职业批评家。这些京派批评家既对世界范围内盛行的现代主义文学现象保持极大的兴趣和敏感,又能在批评的方法和理论中渗透现代批评的精神,进而拉开了和中国传统批评的距离。此外他们的批评还密切关注当时正在兴起的带有先锋性质的文学作品,为它们的合法性进行辩护。在中国文学批评的现代转型过程中,京派批评家扮演着举足轻重的角色,其理论贡献不可忽视。The literati of Beijing school attached great importance to literary criticism and literary theory construction while paying attention to literary creation.Some of them can be called professional critics in the modern sense.These Beijing school critics not only maintain great interest and sensitivity to the modern literary phenomenon prevailing in the world,but also can permeate the spirit of modern criticism in the criticism methods and theories,thus widening the distance from traditional Chinese criticism.In addition,their criticism also paid close attention to the avant-garde literary works that were emerging at that time and defended their legitimacy.In the process of modern transformation of Chinese literary criticism,Beijing school critics play an important role and make a solid theoretical contribution.

关 键 词：京派批评 现代性审美意识 先锋视野 现代主义文学 

分 类 号：I206.6[文学—中国文学]