计成园林理论与实践中的“荆关画意”  

The Pictorial Style of“Jing&Guan”in Ji Cheng's Garden Theory and Practice

作　　者：邵星宇[1,2] SHAO Xingyu

机构地区：[1]东南大学建筑学院,南京210096 [2]苏黎世联邦理工大学建筑学院,瑞士

出　　处：《建筑学报》2020年第7期91-98,共8页Architectural Journal

摘　　要：通过考察"荆关画意"在晚明文人中的象征意义和再现模式,从3个方面揭示其对于计成的园林理论与实践的重要影响:其一是参与构建"造园师"的职业特征;其二是反映了这样一种对画意风格的欣赏模式——基于共同文人知识的集体想象;其三是以寤园为例,讨论计成在实际造园实践中对"荆关画意"的构筑。Investigating the symbolic meanings and representational modes of"Jing&Guan"in late Ming dynasty,this paper reveals the relationship between this pictorial style and Ji Cheng’s garden-making theories and practices in three regards:constituents in constructing professional characters of garden designers in imperial China,reflections on the appreciative mode for the Chinese painting based on a collective memory of knowledge of literati,and the application of this painting style in the making of Wu Garden by Ji Cheng as an example.

关 键 词：计成 园冶 荆关画意 园林理论与实践 寤园 

分 类 号：TU986[建筑科学—城市规划与设计]