《营造法式》之“韵律”初探——以宁波保国寺大殿为例  

On the “Rhythm” of Building a French Style——Taking Baoguo Temple Hall in Ningbo as an Example

作　　者：陈海峰 王平 Chen Haifeng;Wang Ping

机构地区：[1]华南理工大学建筑设计研究院有限公司

出　　处：《中外建筑》2020年第7期36-37,共2页Chinese & Overseas Architecture

基　　金：国家自然科学基金“岭南地区古建筑营造技术与源流的研究”(51278196);亚热带建筑科学国家重点实验室课题“岭南传统建筑营建规划设计与营造技术系统研究”(2012ZA02);亚热带建筑科学国家重点实验室课题“岭南地区建筑遗产保护与活化更新理论与技术研究”(2009ZC10)。

摘　　要：韵律,是宋代书法、建筑等艺术门类的共同追求,其通过各构图元素在视觉层面的重复、渐变、对比、呼应而营造。观照者通过视觉层面对建筑实体的感知,由其引发观照者自身与建筑实体的"心理节奏同步",在形而上层面感知建筑的艺术内涵,从而在头脑中重构出此建筑虚实结合的艺术形象。本文通过实例分析,论证《营造法式》成书时期的宁波保国寺大殿,在韵律层面的设计思想。Rhythm is the common pursuit of calligraphy,architecture and other art categories in Song Dynasty.It is created through the repetition,gradual change,contrast and response of each composition element in the visual level.Through the perception of the visual layer to the architectural entity,the viewer initiates the "psychological rhythm synchronization" between itself and the architectural entity,perceives the artistic connotation of the architecture at the metaphysical level,and reconstructs the artistic image of the combination of the virtual and the real in the mind.This paper demonstrates the rhythmic design idea of Baoguo temple hall in Ningbo in the period of the completion of the book "Jianshe FA Shi" through the case analysis.

关 键 词：营造法式 韵律 保国寺大殿 对比 层次 

分 类 号：TU-86[艺术—艺术设计]