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作 者:王红[1] 李静静 WANG-Hong;LI Jing-jing(School of Liberal Arts,Guangxi University,Nanning,Guangxi 530004,China)
出 处:《贵州民族研究》2020年第7期83-88,共6页Guizhou Ethnic Studies
摘 要:苗族古歌展演了诸如蝴蝶、蚂蚁、蜜蜂等原始意象,凝结着苗族先民与动植物和谐共生的集体无意识。文章通过爬梳整理古歌中的动植物形象,从动物的视域关照动物与动物、动物与植物、动物与人类的辩证关系,归纳出同源性、同质性、和谐性和新生性的生命共同体四个维度,对当下建构命运共同体具有一定的启示意义。Miao ancient songs display the primitive images such as butterflies,ants and bees,which congeals the collective unconsciousness of harmonious coexistence between the Miao people and plants and animals.By combing through the images of plants and animals in Miao ancient songs,this paper studies the dialectical relationship between animals,and animals and plants,animals and humans from the horizon of animals,and concludes the four dimensions of life community of homology,homogeneity,harmony and metaplasia of new life.It is enlightening to construct a Community of Shared Future.
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