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作 者:张志忠 ZHANG Zhi-zhong(Qingdao Institute of Humanities and Social Sciences,Shandong University,Qingdao266237,China)
出 处:《东方论坛(青岛大学学报)》2020年第4期1-12,共12页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基 金:国家社会科学基金重大项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122)的阶段性成果。
摘 要:曾获第十六届莫斯科电影节奖的、由徐小斌编剧、张军钊导演的《弧光》,是多年间中国大陆一部少见的心理探索-悬疑影片,它与世界著名的同属于心理探索-悬疑影片的美国希区柯克的《精神病患者》《爱德华大夫》有相同相异之处。它们都从精神障碍患者的一种特异的精神现象出发,在"犯罪"与"惩罚"、"病人"与"疗救"过程的逐渐展开中,显示出其内在的不同取向与延展路径,揭示了中西方的不同电影人之间,面对弗洛伊德精神分析学的各自取舍,分别走向理性与神秘,有解与无解,从中窥见东方神秘主义与西方科学主义之间的深刻差异。The movie Arc Light,written by Xu Xiaobin and directed by Zhang Junzhao,is a suspense movie of psychological exploration rarely seen in Chinese mainland for decades.It won the 16th Moscow Film Festival Award.A comparison is made between Arc Light and Hitchcock’s psychological exploration suspense films Psycho and Spellbound to discover the profound difference between eastern mysticism and western scientism.On the one hand,these films are based on a specific human spiritual phenomenon,which gradually expands the narrative of the film in the process of"crime"and"punishment"and"patient"and"treatment".On the other hand,they also show obviously different trends and extension paths in the narrative process.Through comparative research,it is believed that the difference between Chinese and Western filmmakers lies in the use of Freudian psychoanalysis to explain human spiritual phenomena with their own characteristics:the former is more mysterious and unexplainable,while the latter more rational and interpretable.
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