男权视角下的女性书写——以温庭筠词为例  

FemaleWriting from the Perspective of Male Power——TakingWen Tingyun Ci as an Example

作　　者：陈尧 CHEN Yao(Literature and Art,Hunan Normal University,Changsha 410006,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410006

出　　处：《沈阳工程学院学报（社会科学版）》2020年第3期12-15,38,共5页Journal of Shenyang Institute of Engineering:Social Science

基　　金：湖南省社科基金青年项目(15YBA290)。

摘　　要：历来学界对花间词中的女性形象、女性语言、“双性人格”的美学特征有诸多溢美之词。然而以温庭筠为代表的花间词派的词作,表现出对女性形象过度的外形书写、对女性心理的误解以及伪女性化的语言叙述等书写特点。这些现象与传统社会中女性的附属地位密不可分。Scholars have always praised the aesthetic features of female image,female language and Androgyny in Huajian CI.However,the works of Huajian CI school,represented by Wen Tingyun,show the writing characteristics of over writing of female images,misunderstanding of female psychology and pseudo feminization of language.These phenomena are closely related to the subordinate status of women in traditional society.

关 键 词：温庭筠词 女性形象 女性心理 女性语言 女性书写 

分 类 号：I206.2[文学—中国文学]